Guitar Hero Aerosmith

Monday, March 8, 2010 Posted by pacapao

Guitar Hero Aerosmith ACTIVISION: 15783161 Guitar Hero: Aerosmith is built around the legendary music of America’s Greatest Rock `N Roll Band: Steven Tyler, Joe Perry, Brad Whitford, Tom Hamilton and Joey Kramer. This game puts players in the shoes of Perry (guitar), Whitford (guitar) and Hamilton (bass), as they rock out alongside frontman Tyler and drummer Kramer. Gamers will experience Aerosmith’s Grammy winning career, from their first gig to becoming rock royalty, in a way that no other entertainment vehicle offers. As fans progress through their careers in the game, they can rock out to scores of Aerosmith’s greatest hits, as well as songs from celebrated artists that the band has either performed with or has been inspired by in some way. Venues from historical moments during the band’s illustrious career offer the experience of ’sweet emotion’ and further capture the essence of the band’s rise to fame. read more

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Rocks

Wednesday, February 24, 2010 Posted by pacapao

Greatest “American” rock band ever – Steven K. – Petaluma, Calif. USA
This is without a doubt, the very best Aerosmith has to offer. Not that their other recording have nothing to offer, but “Rocks” just has a very special feel about it. This recording put Aerosmith on every rock station throughout America and the music still stands the test of time. This is a must have Aerosmith recording.
Rocks AEROSMITH: No Description Available
No Track Information Available
Media Type: CD
Artist: AEROSMITH
Title: ROCKS
Street Release Date: 09/07/1993
Domestic
Genre: ROCK/POP read more

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Jazzin’ the Blues

Sunday, February 21, 2010 Posted by pacapao

Jazzin’ the Blues Oh No – Edmed26 – Cary, NC United States
not at all what I would expect from Edgar Winter, and I mean that in the worst possible way. I enjoy Jazz, I don’t enjoy what were great songs turned into musak.
He has real feel for the music – George Dionne – Cape Cod, MA
You have to know the blues to really understand jazz music. That’s why it makes sense for Edgar to cross over. You can tell he has real feel for the music.
Fair – John Yannucci –
Three or four stars? I gave this cd 3 stars because it is fair at best.Edgar Winter is a kick-ass RB man / Rocker not jazzman!If Jazzin the Blues was more like Entrance or Jasmine Nightdreams this CD would be 5 stars!But it is not.I still dream of a reunion of the White Trash Band with LaCroix,Smith,Derringer and the rest. It could be a new CD or how about a double “LIVE” CD.I can dream can’t I!I have admiration for Edgar Winter and have heard him live on 3 occasions….outstanding sax,keyboards and vocals , but please Edgar go back to what you do best.Kick-ass RB / Rocker!
Your initial post: May 20, 2008 3:13 PM PDT
Steven Pearl says:
Edgar Winter is a genius with cajones of steel. His mighty music (actually it’s so amazing it’s beyond music) kicks your butt and hugs your soul always leaving you wanting more, more, MORE!!! His live shows take you on a varied musical voyage never leaving his Blues and Jazz roots behind. I’ve seen him perform about a-killzion times since 1971 including 4 brilliant performances this last month and he does the job and then some every single time. “Jazzin’ the Blues” is quite simply a masterpiece, much in the tradition of his first album “Entrance” and 1975’s “Jasmine Nightdreams”. Brilliant songwriting, melodies that immediately attatch themselves to you not letting go (and you don’t want ‘em to!),brilliant instrumentation and arrangements, and even his reworked standards such as “Frankenstein (Frankie Swings)” and “Free Ride” become different songs than the originals and just as powerful. “God Did It” is a wonderful shuffle type song that puts the Bible into music in about 4 minutes making even the most confirmed Athiest into a believer (or at least an Agnostic) and “Keys to the Kingdom” are so beautiful that you’ll swear that you’ve heard those melodies before, but you haven’t. Once you hear them though they’ll be in your head for a long time making a bad day good and a good day perfect. This beautiful disc should be a must for any Edgar fan and any fan of great music played by one of the best musicians/performers/all around great guys to grace our lives with his positivity and God given talent. BUY THIS ONE!!! You won’t be sorry! Get it for someone you love and they’ll love you even more. : Edgar Winter was born December 28, 1946 in Beaumont, Texas, brother of legendary blues guitarist Johnny Winter. After cutting his teeth in Texas night clubs, Edgar released his debut album Entrance in 1970, quickly followed by classics such as They Only Come Out At Night, (featuring the hits Frankenstein & Free Ride, both of which are re-worked on Jazzin’ the Blues), the live record Roadwork (1972), the rock opus Standing On Rock (1981), The Real Deal (1996) and of course Winter Blues (1999). In the eighties Edgar played with various artists, including the likes of Todd Rundgren, Meat Loaf and Tina Turner.

As with Winter Blues, Edgar invited high quality guests to record Jazzin` The Blues: guitarists Steve Lukather (Toto) and Hiram Bullock, bass player Will Lee, drummers Gregg Bissonette and Rick Latham and trumpeter Lee Thornburg. Together they present an exciting voyage through the different spheres of jazz and blues, including master songwriting and creative soloing. With Jazzin` The Blues, Edgar Winter shows his ability to combine the past with the present without sounding muddled or pretentious while at the same time delivering exciting elements of new music. Jazzin’ the Blues

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A Wizard of Earthsea, National Endowment for the Arts, the Big Read

Friday, February 19, 2010 Posted by pacapao

A Wizard of Earthsea, National Endowment for the Arts, the Big Read : the big read program A Wizard of Earthsea, National Endowment for the Arts, the Big Read

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ON25 Aerosmith Walk This Way Baby Creeper Romper Onesie Size: 6 Months

Sunday, February 14, 2010 Posted by pacapao

ON25 Aerosmith Walk This Way Baby Creeper Romper Onesie Size: 6 Months Aerosmith:
BRAND NEW ITEM!

Aerosmith Walk This Way Baby Creeper

Color: Black

Sizes: S= 6 mos
M= 12 mos
L= 18 mos
XL= 24 mos
read more

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The Farthest Shore (The Earthsea Cycle, Book 3)

Wednesday, February 10, 2010 Posted by pacapao

The Farthest Shore (The Earthsea Cycle, Book 3) Not very epic. – Bookish Buffet – Arizona
I’d heard a lot about how great Ursula K. Le Guin’s Earthsea original trilogy is supposed to be, and I’d picked up this book hoping to read something great. Needless to say, it turned out to be something of a letdown.

I guess this would seem like a better book if I was younger, since the plot is fairly straightforward, and certain things were obvious from the start, like Arren/Lebannen eventually being crowned King. The characters also didn’t seem to be all that developed or complex; lessons may have been learned, but no one changes all that much.

There was also something kind of irritating about how helpless everyone became once the magic started drying up. Alright, so there was the whole thing about being wooed to the Dark Side, but wouldn’t people be able to adapt to not using charms? Guess it’s part of the whole Fantasy World shtick.

Maybe this was a great fantasy back when it was written years and years ago, but today it feels rather generic. Or I’m too picky about my books. Or maybe I should stick to sci-fi, since I seem to have terrible luck with fantasy. I may give the first two books a shot, since the third is, according to the Amazon reviews, not the best of the series.

While not really related, the paperback edition I read had at least three or four typos, including one on the table of contents. Folks who want to own a copy of this book may want to find a different edition if editing mistakes bother you.
As always, Le Guin delivers what you’d expect, a fantasy book of true literary quality. Unlike many of the emerging fantasy texts throughout the past 20 years or so, especially since the Harry Potter craze, The Earthsea books force the reader to wrestle with many of the same issues that we have to face as real people. Her first book in the series, A Wizard of Earthsea shows the inherent evil within us all, and the ability we have to overcome it only by facing it. The second book, The Tombs of Atuan, delineates the struggles surrounding pride and power. This book delves into the desire to pursue eternal life, thus interrupting the balance between life and nature, humans and the natural laws we’re subject to just as much as anything else. The most interesting element that Le Guin unearths in her take on the concept of eternal life is that her characters, in their pursuit, lose their true identity, their name, and wash into oblivion and nothingness.

I was talking with a new co-worker about the kinds of books and movies that we’re into, and she actually laughed at the fact that I love fantasy, saying that she isn’t interested in anything in that genre because it’s unrealistic and could never happen. She does, however, love romantic comedies, which in my opinion are easily as unrealistic if not more so because of their lighthearted and sometimes shallow treatment of relationships between men and women. Sure, I’m never going to ride a dragon or walk through a wardrobe (at least as far as I’ve experienced so far), but the universal truths exhumed in books like Ender’s Game, The Lord of the Rings, or this series are much more accurate to our own human experiences. Long live good fantasy literature!

-Lindsey Miller, [...] : Book Three of Ursula K. Le Guin’s Earthsea Cycle

Darkness threatens to overtake Earthsea: the world and its wizards are losing their magic. Despite being wearied with age, Ged Sparrowhawk — Archmage, wizard, and dragonlord — embarks on a daring, treacherous journey, accompanied by Enlad’s young Prince Arren, to discover the reasons behind this devastating pattern of loss. Together they will sail to the farthest reaches of their world — even beyond the realm of death — as they seek to restore magic to a land desperately thirsty for it.

With millions of copies sold worldwide, Ursula K. Le Guin’s Earthsea Cycle has earned a treasured place on the shelves of fantasy lovers everywhere, alongside the works of such beloved authors as J. R. R. Tolkien and C. S. Lewis. The Farthest Shore (The Earthsea Cycle, Book 3)

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Best of

Sunday, February 7, 2010 Posted by pacapao

Best of A Great Supplement To THE EDGAR WINTER COLLECTION And Several Other Edgar Winter Albums – The Footpath Cowboy – Kingston, NY United States
THE BEST OF EDGAR WINTER is an excellent supplement to THE EDGAR WINTER COLLECTION, EDGAR WINTER’S WHITE TRASH, THEY ONLY COME OUT AT NIGHT, and his latest, REBEL ROAD. It includes most, but not all of his best songs from the 70s. For example, nothing from SHOCK TREATMENT is included, and “Hangin’ Around” is mysteriously absent. That said this CD showcases Winter’s early guitarists Floyd Radford, Ronnie Montrose, and, to a lesser extent, Rick Derringer, quite impressively. Brother Johnny makes an appearance on a cover of “The Harlem Shuffle.” This CD is a must-own for any true fan of rock & roll, as Winter, who’s legally blind, proves that a disability doesn’t have to be a handicap.
shocked about no treatment – Greg Reece – u.s.a.
If this is supposed to be a complete retrospect of Edgar’s career, why is there then NOTHING from the “Shock Treatment album on this collection? Having said that, you might want to pick up the “Collection” from 1989 on Rhino!
Timeless… – Stephen Cabral – New England
This 2002 release is a remastered 15 song retrospective of his 5 Epic albums. It includes a 16 page booklet with liner notes and photos. The diversity of his music is amazing. Clive Davis gave Winter lots of money and full musical freedom to sign with Epic which Edgar took full advantage of. His first stage leaned heavily in a jazz vein, and then he entered his second stage by forming White Trash with the extraordinary vocal talents of Jerry La Croix. White Trash was sort of a cross between Blues Brothers style blues and Sly & the Family Stone with a mix of rock, soul, blues and `honest to goodness’ gospel. Then he went into a pop/rock direction with his electronic rock smash “Frankenstein”. Various musicians who played in the different incarnations include Rick Derringer, Ronnie Montrose, Dan Hartman, Tommy Shannon and his brother Johnny. One thing that all these different styles of music do share is that they are all sound timeless. I highly recommend this CD.
This is my first introduction to Edgar Winter and i already love his music. Edgar winter is one of the most underated innovative artist of all time. His Brother is Johnny Winter one of the best rock/blues artist of the late 60s and 70s who influenced a lot of artist including Stevie Ray Vaughan. Edgar & Johnny came to epic at the same time. johnny went one way and edgar went another. Edgar went the more idealistic way, Shocking people with his unheard of innovative way of playing. Using music from almost every category such as rock, gospel, jazz, blues, soul, funk, classical and probably more. Critics were stunned. When he created The album and band “white trash” heads were turning. There live playing rip the house down & never dissapointed. Like “Sly & The Family Stone” he is way ahead of his time.
I can’t wait until sony/legacy remasters all of his albums. This is a good start. Songs like frankenstein, Dying to live, fire and ice, turn on your lovelight and free ride give me chills. the only dissapointment is some of the songs are the short versions. But if your just a beginner star with this. Sony: While his blues-rock guitar-god brother Johnny forged a fiery career that would influence Stevie Ray Vaughan and a whole generation of showy young ax-slingers, young Edgar Winter followed a more idealistic, fashion-be-damned muse that bounded across R&B, jazz, gospel, and rock borders with gleeful abandon. Those influences bubble up throughout this 15-track anthology of the younger multi-instrumentalist Winter’s first decade of recording, insuring a compelling listening experience by the sheer breadth of its ambition. Indeed, there are several Winters on display here: the genre-bending artist whose debut album could deliver convincing jazz fusion (”Entrance,” “Fire and Ice”), then turn on a dime to pump out a blues-and-gospel drenched version of Loudermilk’s “Tobacco Road” with brother Johnny’s band; the R&B sparkplug of White Trash, the proto-Blues Brothers show band of “Keep Playin’ that Rock & Roll” and “Give It Everything You’ve Got”; and the monster hitmaker of “Frankenstein” and “Free Ride” (produced by longtime Winter cohort Rick Derringer and featuring an underrated powerhouse quartet that featured guitar star Ronnie Montrose and vocalist Dan Hartman). –Jerry McCulley Best of

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Toys in the Attic

Tuesday, February 2, 2010 Posted by pacapao

Hits and slugs – IRate –
3 1/2

Certainly a formidable prototype for the boy’s early blues rock, the disc is at its scuzzy best when blaring as background, as not all tracks can hold up next to their signature work.
Toys in the Attic AEROSMITH: No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 7-SEP-1993 read more

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All About Sharks: Level 4 (Mathematics Readers)

Thursday, January 28, 2010 Posted by pacapao

All About Sharks: Level 4 (Mathematics Readers) : Combines nonfiction text, problem solving, and real-world connections to explore mathematics in a meaningful way.
All About Sharks: Level 4 (Mathematics Readers)

Lost In Translation [VHS]

Wednesday, January 27, 2010 Posted by pacapao

Lost In Translation [VHS] Verloren in der Langeweile!!! – Benjamin Kirst – Gelsenkirchen
Wenn es einnen Oskar für die Langweiligkeit eines Films gebe, dann würde dieser Film ihn gewinnen.

Die Story ist in wenigen Sätzen erzählt:” Bob Harris (Bill Murray) und Charlotte (Scarlett Johansson) Treffen sich in einem Tokyoter Hotel in dem sie alleine Übernachten. Nach ein paar Langweiligen Abenden im Hotel beschliessen sie sich in der Tokyoter Innestadt zu amüsieren, was leider Mächtig in die Hose geht. Der Höhepunkt des Films ist eine langweilige und amateurhafte Karaoke einlage. Dannach gehen Bob und Charlotte zum glück wieder ihres Weges. Der Film klingt aus als Charlotte in ein Taxi steigt und davonfährt! Whärend der Taxifahrt wird die Kamera ca 10 minuten auf die vorbeigleitenden Hochhäuser gehalten. Dann ist endlich (nach 98 minuten in denen nichts passiert) Schluss puhh!

Was bleibt ist ein Leeres gefühl und die Frage. Was das ganze jetzt sollte!!Der Film hätte nachdem was vorgefallen, Äh nicht vorgefallen ist nur ca 5 minuten dauern dürfen.

Der Film hat weder einen Plot noch ürgendeine Aussage mit der man was Anfangen könnte. Das einzige was durchkommt ist das die Japaner eine merkwürdige Art des Nachtlebens haben, aber auch das hab ich bereits in Dokumentarfilmen wesentlich besser gesehen. Es ist auch gar kein Spielfilm, da eigentlich gar nicht geschauspielert wird!

Das schlechteste ist jedoch die Kameraführung. Die Kamera wird einfach ürgendwo in eine ecke gestellt und dort ca 10 minuten stehen gelassen, bis die nächste Scene folgt und die Kamera in eine andere Ecke gestellt wird.

Um meinen Filmgeschack einordnen zu können: meine Lieblingsfilme sind: Local Hero, Shipping News und Legenden der Leidenschaft!

Alles sehr tiefsinnige Filme!
Ich hatte vorab gehoft das ich auch Lost in Translation dort einreihen könnte. Leider hat sich Sofia Copolla in dem Zwanghaften bemühen einen ganz anderen Film zu drehen völlig verrant!!!
Das ist auch überhaupt gar kein Film!! Also sich nachts um 3 Uhr im öffentlich rechlichen diese Mitschnitte einer Zugfahrt anzuschauen geht etwa in dieselbe richtung, ist nur aufgrund der wechselnden Landschaft doch noch etwas spannender!
Bill Murray spielt einen Schauspieler der, in dieser einfach wunderbaren und grandiosen Komödie, sich zwischen Frustation und Humor befindet.
Scarlett Johannsen spiel dieses jugendliche, einsame verloren wirkende Mädchen.
Die beiden treffen sich zufällig in der Hotelbar in der Weltmetropole Tokyo.
Die Stadt ist den beiden zu schnell, zu knallbunt und zu laut für sie…

Der Film sehr melancholisch, unglaublich berührend…
Man kann ihn weder der Kategorie Komödie noch Romantik einordnen. Ich bin hellauf begeistert und mußte ihn mir gleich mehrmals ansehen.
Der Film enthät grandiose Szenen die mehr als 1000 Worte aussagen.

Kaufen
Kaufen
Kaufen : Wie in einem angenehmen Traum umgibt Sofia Coppolas Lost in Translation den Zuschauer mit einer Aura aus fantastischem Licht, stimmungsvoller Geräuschkulisse, faszinierender Liebe und einem Gefühl von Déjà-Vu, selbst wenn man noch nie jene neonbeleuchtete Version von Tokio besucht hat.

Genauso ergeht es auch Bob Harris. Der etwa 50-jährige Schauspieler hat einen lukrativen Vertrag für eine Whiskey-Werbekampagne unterschrieben, anstatt etwas Gutes für seine Karriere oder seine weit von ihm entfernte Familie zu tun. Nachdem er Probleme mit dem Jetlag und seinem japanisch sprechenden Regisseur hat und sich in der Großstadt nicht zurechtfindet, freundet er sich mit der 25-jährigen verheirateten, aber unter Liebeskummer leidenden Charlotte an, die mit enormer Gelassenheit von der 18-jährigen Scarlett Johansson verkörpert wird. Selbst bevor sie von ihrem Ehemann, einem Fotografen, beinahe verlassen wird, fühlt sie sich ebenso wie Harris verloren, wobei ihr zudem noch ihre Jugend im Wege steht.

Wie Charlotte und Bill ihre Seelenverwandtschaft entdecken wird man als Zuschauer noch über Jahre hinweg in Erinnerung behalten. Der Film unter der Regie von Sofia Coppola (The Virgin Suicides) besticht mehr durch seine Atmosphäre als das Drehbuch: Wir wirbeln durch Tokioter Partys, Karaoke-Bars und das seltsame Nachtleben, bis wir immer in dem unmöglich edlen Hotel landen, wo die beiden abgestiegen sind. Die Anflüge bittersüßer Einsamkeit von Bill und Charlotte werden klug und romantisch behandelt, aber anders als in modernen Filmen aus Hollywoodstudios handelt es sich hierbei nicht um eine Hals-über-Kopf-Liebesromanze.

Sicher und beständig endet der Film in einem viel diskutierten Schlussakkord, der manche vielleicht ein wenig vor den Kopf stoßen wird, aber dennoch jene Filmliebhaber, die schon immer “Paris im Herzen trugen”, mit einer neuen cineastischen Liebeserklärung belohnt. –Doug Thomas Lost In Translation [VHS]